Unprecedented miking characteristics from a quest for super wide-range mics that come alive in any format.

The development of capsule in pursuit of the conflicting goals of an unattenuated 20 Hz–50 kHz frequency response and ample sensitivity has led to unprecedented characteristics. Transient response is excellent and feels consistent across the vast range, with both lows and highs remaining clear and open. The sound also feels more substantial, thanks to the addition of a large, newly developed 25 mm diaphragm in the C-100. Here, we introduce a few of these characteristics that professionals will want to add to their ideal recording setup.

One listen, and the realism and clarity of vocal performances will be apparent. Pitch and sibilance are exceptionally clear, which eliminates the need to emphasise lyrics in mixing. Also a good match for rap and narration, it is an easy mic to recommend to current C-800G users. This is not the type of mic that colours or emphasises mids. Instead, the mids are manageable without being overemphasised, unlike other mics prone to unpleasant midrange overlaps. The characteristics of chained instruments are captured quite well. The mic picks up a wide range of harmonics, which promises captivating results from placement at a distance. With more skilled vocalists, it is an easy mic to use for advanced techniques.

The characteristics of the mic capture a rich array of harmonics that clearly reveal not only performances but also instrument parts and the condition or humidity of materials. Responsive diaphragms prevent harshness and distortion, even during vigorous performances. The attack of percussion, the shimmer of metal instruments, guitar fingering, and piano performances can be captured with exceptional realism. The accuracy of lows is also noteworthy. Even if you are using a familiar microphone with a suitable sound signature for the instruments, adding the 100 series will open up new possibilities.

From these descriptions, it is also easy to imagine how the mic excels at capturing the air of the recording environment, the acoustics of studios or concert halls, and the ambience. This will inspire you to explore a variety of miking techniques, such as accent, room, ambient, and overhead for drums. Since even subtle sounds are picked up well, you may get the impression that the mic is placed closer to the source than it actually is. This also means it can capture a significant amount of sound within the range of its directivity.

Diaphragm: The 17 mm capsule incorporates a film diaphragm similar to those found in ribbon mics. During testing, eight combinations of material and sputtering were compared in pursuit of the ideal balance of timbre and substantiality.

Backplate: Repeated testing, including studio evaluations, was conducted to adopt a sophisticated structure that achieves lower impedance without compromising the efficient conversion of sound to electrical signals. A combination of range, sensitivity, and audio quality was carefully sought.

Construction using various metal materials with different resonant frequencies reduces unwanted vibration.

^{1. Zinc alloy: High rigidity and a large attenuation rate of vibration.
2. SWRM: Steel Wire Rods Mild (Φ0.6×12MESH): Designed to optimise high-range sound and reduce muffling.
3. Aluminum alloy: Same as the C-800G body structure, preventing acoustic vibration.
4. PSU: Minimises sound interference from unnecesary reflective waves.
5. C2600+CR Rubber (70°): Produces an energetic sound with a strong core ensuring vibration prevention. Includes a shock damper with rubber, similar to the C-800G.
6. CAC403: Integrates the internal chassis, prioritising strength, rigidity and mechanical grounding.}